Never Ending Internet Mix Tape

a musical exquisite corpse. look it up.

Vol 10 / Trk 10 / Les Jours Heureux / Yann Tiersen


I’ve spent the last few days circling a handful of disparate tracks in an attempt to match the catchy curiosity and meandering optimism of Smile Around the Face. After curating a small selection, trashing it to refocus my energy, only to find myself with the same list again, I’ve realized there is no magic bullet. To that end, I’ve decided to pull the trigger anyway with Les Jours Heureux.

Yann Tiersen—more notable for his soundtrack for the film Amélie, than his ability to incessently break violin strings on stage—is a French minimalist who organizes a mandolin, piano, violin, accordion, and guitar into energy, passion, personality, indulgence, and curiosity. While I abhor the brevity of this track, I appreciate the focused intensity as I struggle through inner conflict.

t. woodford

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Filed under: Mixtape, NEIMT, Vol 10,

About the NEIMT

Every couple of days, one of the NEIMT authors will post a song that is in some way a reaction to the previous song posted by another author. Every 15 songs will be packaged up with cover art and presented for download as a complete mix. The only rule is that no artist can appear more than once in the same volume.

Subscribing

The best way to be informed of NEIMT posts is to subscribe in the field in the upper right. You can also follow the page on facebook. We longer maintain an email list. Email is dead to us. We'd love to hear your feedback in the comments of this blog, but if you'd like to contact the NEIMT directly, email to: robb (at) agrayspace (dot) com.

Previous Incarnations of the NEIMT

You can still see the old mixes at neimtarchive.blogspot.com. Some of the old download links might still even work.

About Copyright

We freely admit that this blog is probably a violation of artistic copyright law. We put together these mix "tapes" as way to share great music in a way that encourages artist support and utilizes grassroots promotion by purposefully violating those copyrights. We would like to imagine that no artist in their right mind would oppose such altruistic intentions despite its bureaucratic insubordinance.

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