Never Ending Internet Mix Tape

a musical exquisite corpse. look it up.

Vol 05 / Trk 07 / Red Shoes by the Drugstore / The Wedding Present

I, meanwhile, love The Fall. I love their sloppiness, their Englishness, their aggressiveness, the way they seize upon a hook and just beat it to death. Robb can attest to my habit of putting Fall tracks on mixes every chance I can get. So because I can’t post another Fall song as a response, I’ll go to the next closest thing.

“Red Shoes by the Drugstore” is a cover of a Tom Waits song, and I’m perfectly content to have never heard the original. Years ago, when I finally dove into The Wedding Present’s back catalog, this was the first song that really caught me. It’s probably the heaviest song they’ve ever done, built on a locked-groove bassline and featuring David Gedge speak-singing his way into a Mark E Smith impression, tossing off details and asides in a thickening accent. The rest of their quite substantial catalog plays much more with restraint and acoustic melody, but this one still stands out as a wonderful anomaly, punishing but thrilling.

m. joosse

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Filed under: Mixtape, VOL 05, ,

About the NEIMT

Every couple of days, one of the NEIMT authors will post a song that is in some way a reaction to the previous song posted by another author. Every 15 songs will be packaged up with cover art and presented for download as a complete mix. The only rule is that no artist can appear more than once in the same volume.

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The best way to be informed of NEIMT posts is to subscribe in the field in the upper right. You can also follow the page on facebook. We longer maintain an email list. Email is dead to us. We'd love to hear your feedback in the comments of this blog, but if you'd like to contact the NEIMT directly, email to: robb (at) agrayspace (dot) com.

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We freely admit that this blog is probably a violation of artistic copyright law. We put together these mix "tapes" as way to share great music in a way that encourages artist support and utilizes grassroots promotion by purposefully violating those copyrights. We would like to imagine that no artist in their right mind would oppose such altruistic intentions despite its bureaucratic insubordinance.

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