Never Ending Internet Mix Tape

a musical exquisite corpse. look it up.

Vol 01 / Trk 13 / True False, Fake Real

If this music string were a narrative, The Slits track is kinda the playing the hungover morning to the raucous all-night-drug-addled-god-knows-what-happened-last-night frenzy that was the previous 4 tracks. Things have unravelled, there’s overflowing ashtrays and warm beer everywhere. Is that a chicken? Nevermind.  It’s time for a cup of coffee and an assessment of next steps. I can be angry, start breaking shit and find that asshole that “sharpied” my whole face, or I can look into the eyes of the dewey morning, find my missing tooth and make a more positive choice.

err.. something…

With this Hercules and the Love Affair track, I am setting things up for a bit of a feel good ending. It has nods to the lanky funk and randomness of the Slits but is mostly innocuous (in the best way of course). There is intentionally not a lot going on here. Just a moment to breath, take a hot shower and prepare for the next day.
r. smigielski


Filed under: Vol 01, , ,

About the NEIMT

Every couple of days, one of the NEIMT authors will post a song that is in some way a reaction to the previous song posted by another author. Every 15 songs will be packaged up with cover art and presented for download as a complete mix. The only rule is that no artist can appear more than once in the same volume.


The best way to be informed of NEIMT posts is to subscribe in the field in the upper right. You can also follow the page on facebook. We longer maintain an email list. Email is dead to us. We'd love to hear your feedback in the comments of this blog, but if you'd like to contact the NEIMT directly, email to: robb (at) agrayspace (dot) com.

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You can still see the old mixes at Some of the old download links might still even work.

About Copyright

We freely admit that this blog is probably a violation of artistic copyright law. We put together these mix "tapes" as way to share great music in a way that encourages artist support and utilizes grassroots promotion by purposefully violating those copyrights. We would like to imagine that no artist in their right mind would oppose such altruistic intentions despite its bureaucratic insubordinance.

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