Never Ending Internet Mix Tape

a musical exquisite corpse. look it up.

Vol 01 / Trk 10 / Mount Blasta

Critters Buggin’ are comprised of three guys from Edie Brickell and the New Bohemians. No shit. I had the pleasures of witnessing a show of theirs in Seattle and it remains one of my top 10 live show experiences. They wonderfully combine Afro Rhythms, electronics and hellacious grooves in way that’s completely thrilling and no where near as hippie-crunchy as it sounds.

I felt like the crazy-theremin-keyboard sound built on the squawkishness of the amazing Blurt track. Plus I am really diggin’ on the treble-heavy beat and I really wanted something to connect rhythmically to that.

I don’t know how the hell we got here from Spoon, but I am most pleased with our first strings meandering adventurousness.
r. smigielski

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About the NEIMT

Every couple of days, one of the NEIMT authors will post a song that is in some way a reaction to the previous song posted by another author. Every 15 songs will be packaged up with cover art and presented for download as a complete mix. The only rule is that no artist can appear more than once in the same volume.

Subscribing

The best way to be informed of NEIMT posts is to subscribe in the field in the upper right. You can also follow the page on facebook. We longer maintain an email list. Email is dead to us. We'd love to hear your feedback in the comments of this blog, but if you'd like to contact the NEIMT directly, email to: robb (at) agrayspace (dot) com.

Previous Incarnations of the NEIMT

You can still see the old mixes at neimtarchive.blogspot.com. Some of the old download links might still even work.

About Copyright

We freely admit that this blog is probably a violation of artistic copyright law. We put together these mix "tapes" as way to share great music in a way that encourages artist support and utilizes grassroots promotion by purposefully violating those copyrights. We would like to imagine that no artist in their right mind would oppose such altruistic intentions despite its bureaucratic insubordinance.

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The Authors

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