Never Ending Internet Mix Tape

a musical exquisite corpse. look it up.

Vol 03 / Trk 05 / Little League

Oh man, Mike really through the down the gauntlet with his post. Not liking Wicked Farleys is one thing, but slagging the entirety of late nineties-sensitive-emo-boy music and especially the almighty Cap’n Jazz was shocking. Shocking I tell you!

But in all seriousness, I love this band. Very, very much. So I have almost no choice but to use this moment to insert them into the NEIMT for the first and perhaps last time.

There are many great songs to choose from, but I almost can’t not pick “Little League”. This song is the epitome of their sound and is one of my all time favorite songs, period. It’s muddy but massive. I always thought it was the closest approximation of how music could sound like thunder. It also is the perfect blend of boyhood sensitivity and adolescent anger, with absolutely zero macho testosterone. The closing of this song never fails to get my heart rate amped up.

I also see Cap’n and other bands of this ilk, to be great examples of the punk ethos. How you really didn’t have know how to sing or played expertly to create great artful rock music that was powerful and moving. This was hugely influential into me growing UP and remains so to this day. That’s what great emo was all about, and these kids were fantastic at it.

I can only imagine that Mr. Joosse is not going to very happy following my posts this round, as this particular niche of music is one of my sweet spots and I have lots more to share.
r. smigielski

Filed under: Vol 03, , ,

About the NEIMT

Every couple of days, one of the NEIMT authors will post a song that is in some way a reaction to the previous song posted by another author. Every 15 songs will be packaged up with cover art and presented for download as a complete mix. The only rule is that no artist can appear more than once in the same volume.


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We freely admit that this blog is probably a violation of artistic copyright law. We put together these mix "tapes" as way to share great music in a way that encourages artist support and utilizes grassroots promotion by purposefully violating those copyrights. We would like to imagine that no artist in their right mind would oppose such altruistic intentions despite its bureaucratic insubordinance.

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