Never Ending Internet Mix Tape

a musical exquisite corpse. look it up.

The Neverending Roads / Vol 12 / 013113

Mr. Smigielski came to me in the winter of 2010 with an idea to build a mix with multiple participants, pushing and pulling against each other’s diverse tastes and interests to create an audial document in real time. How could I not be excited? It was a challenge that I’d never seen before. So we started, with no idea where it would go. With our friend Epp, we moved through volume after volume, and picked up Mssrs. Klops and Woodford along the way. We saw our number of followers build and our traffic increase. We even had an app made.

The mix took a lot of twists and turns, and perhaps inadvertently reflected life itself. In the last few months, one of us moved to London; one of us moved to Chicago; one of us turned in his notice that he would be leaving the mix; some of us found our relationships to music changing; and all of us found ourselves insanely busy with careers, lives, and other priorities. When we stopped to take stock of everything, we came to the conclusion that the end of this volume was the right time to put the Neverending Mix on hold for the foreseeable future.

I can speak for all of us when I say that it’s been an incredible experience working on this project. We hope the NEIMT introduced you to a new band or song, made a new connection to something you already loved, or got you to make your own mixes. We hope it changed, even just a tiny bit, the way you interact with music. It did all of those for us. We might be back someday, maybe in a different form or with new writers, but we’ll always be out there devouring music, thrilled by its possibilities, curious about the neverending roads it will take us on. We’ll see you out there.

m. joosse

Download the Mix as a 116 MB zip file.
Now using sendspace to deliver these massive files. Email us if the file expires.

The tracklist is as follows:

01. Sitting Still, Talking About Jets by the Detachment Kit
02. Odessa by Animals as Leaders
03. Screams of Joy by Lungfish
04. I Built Myself a Metal Bird by Silver Mt. Zion
05. How Near How Far by …And You Will Know Us by the Trail of Dead
06. Out of My Mind by Dope Body
07. Silencer by mewithoutYou
08. List of Demands (Reparations) by Saul Williams
09. Kung Fu by the Dirtbombs
10. Little Bit of Feel Good by Jamie Lidell
11. Free by Graffiti6
12. Good Music by Colorama
13. Believe E.S.P. by Deerhoof
14. Long Flight by Future Islands
15. Blinders by Geographer


Filed under: Mixtape, NEIMT, Vol 12

Vol 12 / Trk 15 / Blinders / Geographer

As with past volumes, when I’m assigned their final tracks, I tend to go for ones that sound epic—a single take, a sunset, a long sigh. “Long Flight” put me in a reflective mood, and I wanted to return to some of the slower tempos from earlier in the volume. I like Future Islands and their off-kilter, dark new wave sound, so it was difficult to parse a response down from a vast library that’s been invaded and conquered by new wave-influenced bands year after year.

Or perhaps I just didn’t know where else to go. This volume has been, to say the least, erratic. It was driven almost more by personal whims than a desire for consistency. In many ways, that’s been proof of our unofficial motto around here: follow the music, post from the gut, do what feels appropriate. If this volume has meandered down a river, perhaps I consider “Blinders” to be the time when the dock finally comes into view.

m. joosse

Filed under: Mixtape, NEIMT, Vol 12,

Vol 12 / Trk 14 / Long Flight / Future Islands

NEIMT-TemplateI have a weird relationship with singers. There’s a thin and ill-defined line between what I think of as unacceptably pretension and compellingly pretensions when it comes to the human voice. Eddie Vedder? No thanks. David Bowie? Yes please! I seriously doubt either gentleman lathers up in the shower singing Call Me Maybe by growling like a dog, or  in a voice that constantly sounds like it’s on the verge of tears but that’s how they sing for us, the audience.

Samuel Herring, the lead singer of Future Islands, is full of shit. Seriously. His voice is 100% stage—angry at times, then sad, then just plain spastic—it is an invention. But it’s an invention I like. Is that a british accent? Is he narrating a Shakespearean play? I really don’t care—it’s cool, and it moves me. It’s a lie, but all good truths are.


Filed under: Mixtape, NEIMT, Vol 12,

Vol 12 / Trk 13 / Believe E.S.P. / Deerhoof

Good Music has nice energy. I hadn’t heard it before Mr. Joosse’s post, but I’ve found myself coming back for more.

The best response I can muster at the moment is Deerhoof’s Believe E.S.P. Deerhoof—a quartet that originated in San Francisco—has a reputation of being a bit unpredictable, and largely difficult to classify. Debuting as a noise band, evolving into discombobulated pop, and self-identifying as a band without a plan, they’ve mastered reinvention over the last twenty years.

The heavy, leading bass sticks in my head for days after I play this track. Though a definable rhythm differentiates it from its predecessor, both share an undeniable energy, and bolstering confidence. It just needs a little more cowbell.

Happy New Year. Here’s to a new beginning.

t. woodford

Filed under: Mixtape, NEIMT, Vol 12,

About the NEIMT

Every couple of days, one of the NEIMT authors will post a song that is in some way a reaction to the previous song posted by another author. Every 15 songs will be packaged up with cover art and presented for download as a complete mix. The only rule is that no artist can appear more than once in the same volume.


The best way to be informed of NEIMT posts is to subscribe in the field in the upper right. You can also follow the page on facebook. We longer maintain an email list. Email is dead to us. We'd love to hear your feedback in the comments of this blog, but if you'd like to contact the NEIMT directly, email to: robb (at) agrayspace (dot) com.

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We freely admit that this blog is probably a violation of artistic copyright law. We put together these mix "tapes" as way to share great music in a way that encourages artist support and utilizes grassroots promotion by purposefully violating those copyrights. We would like to imagine that no artist in their right mind would oppose such altruistic intentions despite its bureaucratic insubordinance.

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