Never Ending Internet Mix Tape

a musical exquisite corpse. look it up.

Vol 10 / Trk 02 / They Made Frogs Smoke ‘Til They Exploded / Múm

There’s nothing like a bit of serendipity to start off the volume; prior to Mr. Immer’s post, I had Gold Panda on repeat for a week straight in an effort to inject a bit of optimism into my day-to-day.

Although Múm generally tends to broadcast more of a quiet confidence than anything else, something about the Icelandic ensemble reminds me of the first day of Summer. Maybe it’s the glitchy experimentation wrapped in soft, often indecipherable pronunciations. Perhaps it’s the intentionally awkward transitions between catchy non-vocals, and instrumental ephemera. More than likely, it’s a distant memory of a weekend roadtrip to Logan Square with an old friend to see a band from another continent play tracks that we often enjoyed with our windows down in the peak of the warmer months.

Whatever it is, They Made Frogs Smoke ‘Til They Exploded, emits an air of optimism—as well as a hint of schizophrenia—around an otherwise dismal season.

t. woodford


Filed under: Mixtape, NEIMT, Vol 10,

Vol 10 / Trk 01 / Quitter’s Raga

Ah, the dubious honor of setting the tone for a new volume of the illustrious Never Ending Internet Mixtape. Let’s hope I don’t screw this up.

Ever hear a song that sounds exactly like you? I’m not talking about lyrics that resonate with your spirit or current life condition—I’m talking about music that sounds like the inside of your brain. For me, Quitter’s Raga is that song. Everything is just a little off, a little psychedelic, a little manic. The uh, “lyrics” are pure nonsense but still manage to get stuck in my head for days after I listen to this track. Every track on Gold Panda’s Companion is beautiful, but none capture the sheer hyperactive-3rd-grader-just-recieved-a-Nintendo-for-Christmas energy that lies in my heart the way Quitter’s Raga does.


Filed under: Mixtape, NEIMT, Vol 10,

Everything That Converges Must Rise / Vol 09 / 031112

I think I can safely speak for Mr. Smigielski that we’re very happy we expanded to a quartet of authors for this volume. It’s been great to get some fresh perspectives and voices to help keep things moving forward. Or sideways. Or upside down. Though not our most consistent volume, I think it strikes a fine balance between evolution and adventure, passing from cool Europop to sample-heavy strangeness to lockstep Krautrock to somber indie electronica and ending up at twitchy R&B.

We welcome any interpretation of meaning you may want to apply to the resultant volume—my own is that this is a mix that reflects a difficult winter. Not necessarily weather-wise, but emotionally and mentally. It’s frequently cloudy and darkens easily, it sometimes lacks a strong human warmth and it often prefers a serious fragility to the cheer and pleasure we’ve seen in past volumes. On this, a day where we get the gift of more sunlight, my hope is that the next volume will shake off the gloom and embrace the joy of spring.

m. joosse

Download the Mix as a 93 MB zip file.
Now using sendspace to deliver these massive files. Email us if the file expires.

The tracklist is as follows:

01. Got it Together Again by Saint Etienne feat. Nathan Bennet
02. Let’s Call it Off by Peter Bjorn and John
03. Little Bit by Lykke Li
04. By Your Side by CocoRosie
05. Bats in the Attic (Unravelled) by King Creosote & Jon Hopkins
06. CMYK by James Blake
07. Ice by Patten
08. Mexican Grand Prix by Mogwai
09. Paradise Walk by Neu!
10. New Rock by Buffalo Daughter
11. Smoke by Cornelius
12. Be Good to Them Always by The Books
13. Alienation by Lali Puna
14. Rock My Boat by Dntel feat. Mia Doi Todd
15. Portofino by Teengirl Fantasy
16. Osaka Loop Line by Discovery

Filed under: Mixtape, NEIMT, Vol 09

Vol 09 / Trk 16 / Osaka Loop Line


Without getting too self-referential, I will mention that posting the last track of the first volume of my NEIMT career has been an interesting endeavor. I feel compelled to respond to the previous track, but I also feel a bit of responsibility toward a summation of the rest of this volume.

With that, I present you with Osaka Loop Line. It has many interesting elements that have surfaced throughout this volume. Electronic fuzz. Whitespace that tends to hold the track together. Twitchy samples in an otherwise layered, minimal environment. A touch of romance. Above all, a nice place to pause.

Gentlemen, it’s been real. I look forward to seeing where future volumes take us.

t. woodford

Filed under: Mixtape, NEIMT, Vol 09,

Vol 09 / Trk 15 / Portofino

teengirl fantasyMy first experience with Teengirl Fantasy was their amazing AZZ KLAPZ ep. The electronic duo were taking short, funky R&B influenced phrases and looping them into oblivion. What was once funky becomes oddly meditative by the 40th loop. I loved that ep but wondered if you could push the concept any further. On subsequent albums Teengirl have done just that—and in both directions. Some tracks are more R&B than ever, while tracks like Portofino are long meditations on a musical phrase with a subtle play in dynamics keeping things interesting and fresh.


Filed under: Mixtape, NEIMT, Vol 09,

About the NEIMT

Every couple of days, one of the NEIMT authors will post a song that is in some way a reaction to the previous song posted by another author. Every 15 songs will be packaged up with cover art and presented for download as a complete mix. The only rule is that no artist can appear more than once in the same volume.


The best way to be informed of NEIMT posts is to subscribe in the field in the upper right. You can also follow the page on facebook. We longer maintain an email list. Email is dead to us. We'd love to hear your feedback in the comments of this blog, but if you'd like to contact the NEIMT directly, email to: robb (at) agrayspace (dot) com.

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We freely admit that this blog is probably a violation of artistic copyright law. We put together these mix "tapes" as way to share great music in a way that encourages artist support and utilizes grassroots promotion by purposefully violating those copyrights. We would like to imagine that no artist in their right mind would oppose such altruistic intentions despite its bureaucratic insubordinance.

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