Never Ending Internet Mix Tape

a musical exquisite corpse. look it up.

Attract Repulse Confound / Vol 03 / 062710

Planets influence each other in a regular, predictable way. Not so the 3 current contributors to the Neverending Mix. This third volume may not be the smoothest ride, but it’s a rocking one. It’s especially satisfying to me as many of Robb’ s and Mike’s tracks were unknown or new to me (discovering new/unknown music being one of the main points of this exercise). Throughout the run of a mix, finding the right track to respond to increasingly complex attributes is a daunting task. At the same time controlling the pacing and flow is not absolute, a track laid down is a track laid down. I wonder how a blind response to a list of requirements would turn out, we each deliver five tracks based on predetermined requirements of genre or year or place or…. would be fun to approach some mixes in an Oblique Strategies sort of way.
m. eppelheimer

Download the Mix as a 88 MB zip file.
Now using sendspace to deliver these massive files. Email me if the file expires.

The tracklist is as follows:

01 Spartacus by Ungdomskulen
02 Feel the Mores by Wicked Farleys
03 Slipstream by Silkworm
04 No Sleeves by Les Savy Fav
05 Little League by Cap’n Jazz
06 It’s Expected I’m Gone by Minutemen
07 Without MSG I Am Nothing by Mclusky
08 Phoenix and the Faultline by The Plastic Constellations
09 Lie Down on Landsdowne [Version] by Lifter Puller
10 Epic Problem by Fugazi
11 Arizona by The Constantines
12 What If I Was Right by Sleater-Kinney
13 Cresent City by Gabardine
14 Snake Charmer by The Warmers
15 Via Nomentana by Joe Lally

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Vol 03 / Trk 15 / Via Nomentana / Joe Lally

“What happens when post-hardcore becomes post-post-hardcore.” The Washington Post said that about the sound of the Evens, which is made of Amy Farina from the Warmers and Ian MacKaye from Fugazi. I thought that was a great line that guided me into this track by Joe Lally, another Fugazi alum.

The hardcore movement never interested me. Maybe because I came into music a little late, or because my biggest influence growing up was an adult alternative radio station, or maybe because I just fundamentally don’t get screaming. So I’m much more interested in the aftermath of the dam holding hardcore breaking and spilling its waters into the larger body of music to influence and be influenced by.

“Via Nomentana” sounds a little like late-period Fugazi (duh), a little like the Warmers, and a little like Sleater-Kinney. But it thrills me to report that it also sounds like the Velvet Underground and Steve Wynn and PJ Harvey and a whole mess of other artists that we haven’t talked about yet here.

So even though I may be ending this volume on a moody note, I hope this is a mixing of waters that frees us to move in any direction in #4. As always, I’m excited to see where we go from here.
m. joosse

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Vol 03 / Trk 14 / Snake Charmer

Honestly I am perplexed by that last track. It lacks both the “spindly” nature of Sleater-Kinney and the rocking tone the mix has generated thus far. Not to knock the track however, as it is quite nice. But I am just not sure how to respond.

Doing the best to both capture a more bare-bones aesthetic as well as a slightly trance-like composition, I give you the Warmers — a Dischord-era trio that manages to sound insanely stripped down and immediate. I find this song, building on “eastern-ish” sonic tropes, completely mesmerizing in its use of contrasts. Unaffected guitars and shouted vocals against hushed melodies and an arrangement that builds and evolves unexpectedly.

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Vol 03 / Trk 13 / Crescent City / Gabardine

Maybe a quick response will bring back Mike’s good humor?
Though a dip in a pool or some AC might be more successful.

Whenever I listen to Sleater-Kinney I usually end up listening to Gabardine, mostly because I discovered them around the same time. Or maybe it’s the spare approach they share. Gabardine is a trio from Zurich that I had the pleasure of opening for with my last band in Basel. Switzerland is a desolate wilderness for the thirsty, transplanted, rock music fan, but there are a few oases like Gabardine and Shilf. At first I thought Slow Motion Rocket would be a good follow up track, but it’s too slow. Then I thought, hmm, what have they been doing lately? And found the Years & Airports album from last year. Thanks Mike!  Then I heard this great track and it was decided.
m.eppelheimer

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Vol 03 / Trk 12 / What If I Was Right? / Sleater-Kinney

I’m irritated.

It’s hot and humid outside, Supergrass broke up, people’s excitement over soccer has turned into xenophobia, but most importantly, it’s been THREE WEEKS since my last post. Come on guys, let’s pick the pace back up here.

Robb, I think inadvertently, moved the mix forward a good amount with “Arizona.” We traded heavy for spiky and noisy for melodic, and for all our sakes I hope we don’t go back for a while. And I definitely wanted a break from bands of dudes.

So here’s a track from Sleater-Kinney, who share a lot of qualities with the Constantines—a similar tone, a supreme ease with hooks, an ability to scream tunefully, and a career evolution that still allows them to remain quintessentially themselves. They also share what we used to refer to as “post-millennial tension,” but since this song is from 1998, that analysis will have to wait for a future volume and the chance to hear/discuss their revolutionary One Beat album.
m. joosse

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Vol 03 / Trk 11 / Arizona

I am a big fan of the shouting vocalist. The kind of singer who is more interested in rhythmically “stating” their words as opposed to “crooning” them. The last set of tracks have really highlighted a couple great executions of this style. But The Constantines nearly perfected it.

Now Arizona is not a complex track. It’s a little bit “one note”, in that it is really only interested in executing one sonic idea. But it has always been the song of theirs that stuck with me over time. It always pops in my head, especially that “1984” line. Not sure why. The narrative of it has me captivated. And that big ass drum sound. I was reminded of it instantly when I heard the Fugazi track.

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Vol 03 / Trk 10 / Epic Problem / Fugazi

We are listening to each other Robb, just not agreeing and the mix is very interesting because of the unexpected flow. Fugazi’s my appropriate or inappropriate next choice for this mix. For some reason I didn’t get into them until this album came out in 2001, then I backtracked with a vengeance.

I think about Fugazi’s The Argument a lot. It’s in my top all time favorite Albums. That’s capitalized because it’s a true album experience, the tracks interlocking in a sonic story with pacing: ups, downs, climaxes, resolutions. And I could listen to it over and over and over. It’s quiet, tense, loud, bracing, and a seamless crossover of rock, alternative and postpunk and every freaking track is memorable. So if anyone out there doesn’t have this, they NEED it.

But picking a song sure is a task, a problem, an… epic… problem.
m.eppelheimer

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About the NEIMT

Every couple of days, one of the NEIMT authors will post a song that is in some way a reaction to the previous song posted by another author. Every 15 songs will be packaged up with cover art and presented for download as a complete mix. The only rule is that no artist can appear more than once in the same volume.

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